Keep in mind as you read this that I have no experience
working with museums and their collections.
Yes, a lowly newbie in need of training and possible spoon feeding. The museum director wished me the best, then
passed me on to the collection specialist to start my new adventure in museum
research…
"This is Red Five; I'm going in! (His X-wing's lasers firing
wildly)"
Star Wars: Episode IV - A New Hope
Star Wars: Episode IV - A New Hope
Good News:
I finally scored an appointment with the museum collection specialist
after 3 weeks of waiting. I need to
work on my timing as the specialist had been on 2 weeks of vacation, only
worked 2 days a week and needed time to catch up. I was nominally trained on their specialized
museum software. I learned that the museum
collection was divided into artifacts, photos and documents. In
addition, I learned that the artifacts were stored by the month and date they
were acquired by the museum mostly in stacks of archival quality banker boxes. The procedure for requesting items was spelled
out. It was a pleasure to sit in the museum library
wrapped in shelves full of books and interesting artifacts with a large table at my
command feeling all of the possibilities.
Bad News:
I had only 3 weeks left to develop a theme to finish writing
the grant. The museum’s computers were
archaic and the collection specialist was going to take 2 more weeks off. My request for an export of the collections
database file was met with a blank stare. I’m a software engineer by trade with lots of
database experience. Being told that
the best method of searching the museum’s software was to start with record #1
and work my way down was alarming. A
second visit netted me only 1 artifact out of 5 requested. Now I’m panicking that even if I pick a
theme there’s no way to verify that enough of the items I needed would actually
be in storage. Should I pick the
collection of bottles? Perhaps all the
glass objects? How about those Indian
artifacts? Would farming equipment make a statement? My corporate Spidey sense was tingling
telling me the collection specialist had one foot out the door.
Good News:
The
collection specialist quit.
Bad News:
Now I had *no*
access to the collections. Be careful what
you wish for…
Good News:
I told a friend about my dilemma - there was no way to
develop a theme at this point. She suggested
making the choice of a theme part of the grant. Brilliant!
So, I pushed this decision down the queue and finished writing the
grant. Problem solved… I won the grant. The museum promptly hired an experienced
archivist.
Bad News:
I couldn’t
pounce on the newly hired archivist with a huge list of items to treasure hunt
up and down the stacks. I needed a new
approach for theme development that was sparing of her time. The new archivist also only worked part
time limiting my access. The new archivist has new rules.
Good News:
The new archivist is technically savvy and has already
extracted an MS Excel file of the collections database for her laptop. She shared it readily. I can now slice and dice the data on my
laptop seven days a week extending my researching time. Awesome!
In addition, she’s willing to bring me several groupings of Indian
artifacts to help jump start my first surface designed fabric piece. After that, she’s agreed to bring me one box
at a time to review starting with the earliest acquisitions. This will reduce my requests on her time. The approach also allows me to work exclusively with available items. Besides theme development, I’m
looking for shapes and textures for my personal mark making lexicon. Any
artifact could have relevance. I'm taking notes as I review the artifacts to help develop themes for the 38 surface designed pieces I intend to create. When I have enough ideas, then
I stop methodically sorting through the 190 artifact boxes and shift to filling in
the gaps by researching the collections database file. By that time, the archivist will be
established in her job and be ready to retrieve targeted items. That’s the current plan anyway!
Bad News:
There is none! My
access woes have been ironed out. I
have direction. I’m on my way with very capable assistance
from the archivist. The message here is to be persistent and don't be afraid to take a leap of faith!
I, for one, am loving your blog. I, too, am looking to progress to a FiberArtist. This is wonderful, as i can learn from your progress along this continuum!
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